The top 10 nearest neighbors for Veep span politicians, news publishers, actors, a music brand, a healthcare company, and two other TV shows — no single subcategory dominates, which is the defining structural fact of this broad-shape audience.

Similarity here measures how closely two entities' audience compositions resemble each other. Deb Haaland leads at 0.93, followed by The Atlantic Photo at 0.91 — a politician and a photojournalism outlet as the two strongest pulls, neither of which shares Veep's TV Shows subcategory. Vinyl Me, Please (0.89) and Busy Philipps (0.88) extend the range further, into music retail and acting respectively. Moderna at 0.88 adds a healthcare brand to the mix. The two fellow TV Shows in the top 10 — The Leftovers (0.88) and Project Runway (0.87) — rank sixth and tenth, meaning same-kind neighbors are present but not dominant.

Tallying the top 10 by subcategory: two Politicians (Deb Haaland, Mazie Hirono), two TV Shows (The Leftovers, Project Runway), two News Publishers (The Atlantic Photo, NYT Watching — subcategory: Websites), one Actor (Busy Philipps), one Music brand (Vinyl Me, Please), one Healthcare brand (Moderna), and one Magazine (Men's Journal). The spread across eight distinct subcategories confirms a genuinely diffuse audience shape — one that overlaps comparably well with civic, journalistic, entertainment, and consumer brand audiences alike.

This breadth suggests Veep's audience is not defined by loyalty to a single content type or cultural niche, but by a cross-cutting profile that shows up across a wide range of otherwise unrelated entities.