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Paul Feig's top 10 neighbors are a mix of film industry trade publications, indie film infrastructure, and a director — with no other actor appearing in the set.
The shape is flat: scores run from 0.95 (David Lynch) down to 0.92 (Amnesty International USA), a span of less than three points across ten neighbors. No single entity dominates. David Lynch (0.95, Directors) sits at the top, followed closely by IndieWire (0.95, Websites) and The Hollywood Reporter (0.94, Magazines). The subcategory breakdown tells the clearest story: five of the ten neighbors are trade and entertainment media — IndieWire, The Hollywood Reporter, TheWrap, Variety, and SundanceTV — while the remaining five span a comedian (Margaret Cho, 0.93), a non-profit (Amnesty International USA, 0.93), a TV channel (Vice TV, 0.93), a news website (Deadline Hollywood, 0.92), and a non-profit (Human Rights Watch, 0.91, just outside the top 10). Paul Feig's own subcategory — Actors — has no representative in the top 10; the nearest audiences are shaped primarily by film industry media consumers and, notably, by advocacy-oriented audiences rather than by other performers.
The overall picture is an audience that tracks the film industry as an institution — trades, festivals, indie distributors — rather than one organized around any single celebrity or genre.
