Tate's top 10 nearest neighbors span art publications, fellow museums, and one artist — all compressed into a narrow similarity band running from 0.98 down to 0.97, with no single entity pulling clearly ahead of the rest.
The shape is flat: frieze magazine leads at 0.98, followed within a fraction of a point by Guggenheim Museum (0.98), Artnet (0.98), ARTnews (0.97), Artforum (0.97), and Art in America (0.97). Tallying subcategories across the ten: six are Magazines, two are Websites, one is an Education organization (Guggenheim Museum), and one is an Artist (Yoko Ono, 0.97). The dominant cluster is art-world print and digital publishing — Magazines and Websites that cover the same cultural territory as a major museum. The two non-publication neighbors are themselves art-world institutions: Guggenheim sits in the Education subcategory, and Yoko Ono is the sole individual in the set. Tate's own subcategory, Non-Profit, appears only once in the top 10 — Wallpaper Magazine (0.97) rounds out the magazine cluster, while Astrology Zone (0.97) is the one neighbor with no obvious art-world classification, arriving as a Website at the bottom of the band.
The overall picture is an audience defined less by institutional type and more by a consistent cultural orientation — one that moves fluidly across art criticism, museum programming, and specialist publishing without strong attachment to any single format.