Attention Graph:

Konami

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Sony sits at the top of Konami's neighbor set at 0.94 — not another game developer, but a Technology brand — and that cross-kind placement sets the tone for what follows. The shape is broad: no single neighbor dominates, and the scores descend gradually from 0.94 down to 0.89 across the top 10, with meaningful overlap spread across several distinct subcategories.

Four of the top 10 are fellow Game Developers: Bandai Namco US (0.93), Capcom USA (0.92), SEGA (0.92), and Naughty Dog (0.90). Two are gaming Magazines — GameSpot (0.92) and IGN (0.91) — forming a tight gaming-media cluster alongside the developers. PlayStation, an Entertainment Platform, lands at 0.91. That leaves two neighbors that sit entirely outside the gaming ecosystem: Bruno Mars (0.90), a Musician, and Universal Pictures (0.89), a Film Studio. Their presence alongside the gaming cluster is the structural surprise — the audience that follows Konami also maps closely onto mainstream pop music and major film entertainment, not just gaming-adjacent properties.

The broad shape here reflects an audience that is recognizably gaming-core — developers, platforms, and gaming press all cluster near the top — but wide enough in its composition to pull in mass-entertainment neighbors that share no obvious thematic connection.

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