At 0.96, Twenty One Pilots pulls so far ahead of every other neighbor that the gap itself is the story — the next closest entry, Brendon Urie, sits a full 11 points lower at 0.85.
The shape is a textbook spike. Beyond those two fellow Musicians and Bands, the top 10 fans out into a notably cross-kind mix: MLB The Show (0.83, Video Game Franchises) and Bert Kreischer (0.83, Comedians) are nearly tied for third, followed by two Casual Dining chains — Buffalo Wild Wings (0.82) and Texas Roadhouse (0.82). Rounding out the top 10 are two Actors — Matthew Gray Gubler (0.82) and Dylan Sprouse (0.80) — plus Ninja (0.80, Musicians and Bands) and Fazoli's (0.80, Casual Dining), with Panic! At The Disco just outside at 0.80. Tallying the subcategories across the top 10: three Musicians and Bands, two Actors, two Casual Dining, one Video Game Franchise, one Comedian — no single non-music category dominates, which means the audience's shape is defined almost entirely by that one overwhelming anchor rather than by any coherent secondary cluster.
The spike structure suggests an audience whose identity is tightly bound to a single act, with everything else in the neighbor set reflecting incidental overlap rather than a distinct secondary community.